captive audiences, compassion, Faith, featured, Soothing Rain, Tonya Jewel Blessing

The Movie Credit: “Compassionate Woman”

Compassionate Teacher Helper A Perfect Tree
A Compassionate Teacher is a Helper in A Perfect Tree Christmas storybook

Chris and I recently enjoyed a date night. As part of our special evening, we went to a movie. The credits at the end of the feature included a character identified as compassionate woman. Her small act of kindness in the movie did not merit her having a name.

“And some have compassion, making a difference.”
(Jude 22)

The same can be true of real life. Small acts of compassion and kindness are often not given merit, except by the recipient. People value and remember when others show them kindness. Noticing someone is like giving them a gift.

Acts of compassion include benevolence, empathy, grace, kindness, mercy, sympathy, tenderness, charity, clemency, commiseration, condolence, consideration, and softheartedness. True compassion focuses first and foremost on the revelation of God’s great love demonstrated through His Son Jesus Christ.

Earlier today, I read an article written by Bette Owens on compassion. “When I think of a compassionate woman, I think of a godly woman.”

Bette Owens also describes the characteristics of a compassionate woman:

  • A compassionate Christian woman has a hunger for God.
  • A compassionate Christian woman lives for eternity.
  • A compassionate Christian woman avoids sin.
  • A compassionate Christian woman loves others.

In my first novel, The Whispering of the Willows, the Ashby children have endeared themselves to a single woman living across Big Creek from them. They escape to her and call her their “love aunt” for good reason. In many ways, her hospitality shows through, by her taking the time to listen to the children, and taking action on their behalf when called for. She hides a child in safety and she calls the sheriff when an investigation is warranted. My own sweet aunt is the prototype of the loving aunt in my story.

Recently, I enjoyed reading a story featuring another compassionate woman.  This woman is the teacher of a child who has been wronged at Christmastime. She has put away extra gifts for such a time as the story presents. I highly recommend A Perfect Tree by Denise Dunham for your younger kiddos this season. Disappointments abound in life, but compassionate women can make a difference.

“A compassionate Christian woman will make a difference in the lives of all who meet her. Her life is truly one that makes a difference. We can all be a compassionate Christian woman and make a difference if we would love and serve the One who makes a difference.” (Bette Owens)

Author Tonya Jewel Blessing is working on her third novel in the Big Creek series.  Don’t miss out on her first two installments, they have been highly recommended by many readers!

Melody of the Mulberries Book cover perspective

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A Perfect Tree Teacher Helper Scene
A Perfect Tree – scene with compassionate teacher-p19 by Denise Dunham
Author tools and hacks, book excerpt, featured, improvisation, Laura Bartnick, op-ed

EMBRACING IMPERFECTIONS IN OUR STORY

By Laura Bartnick

“Improvisation. That’s why we call creativity art, isn’t it?

I’m an author and also an author coach. Part of what I do is help an author grow personally in order to deepen the author’s storyline or character drawn inside the pages of their manuscript.

We writers embrace imperfections in our written characters’ thought patterns or behaviors so that the story can twist and turn just as much as real life does.

Like jazz, the development of a good story means the endings are kept strategically hidden in misunderstandings, physical barriers, or something in the past. I’ve discovered a group, Teaching Tolerance, which has developed a test for discovering anyone’s own historical or cultural bias, implicit bias. You can see here how you might use a character’s natural bias to direct his or her communications or meditation or self-talk.

Proverbs 20:5 alludes that the purposes of a heart run like deep waters, but someone with insight can draw them out. What is your character’s point of view?

Can a writer love the antagonist?A writer should learn to love the enemy of the protagonist. Did Jesus love Judas Iscariot? How could He?

Learning about your antagonist’s unique place of belonging or setting helps you shape his or her believable thoughts, recognizable appearances or dialogue with the accompanying accents and activities that would be true to the character.

From an unlikely source or through an accident that turns out well, insight emerges. Imperfections make your characters relatable. They string you along. When you love them through their story, you emulate God’s love for our imperfect selves born into an imperfect world.

Even settings can wrestle for hope.

Developing a setting can help hide or reveal your plot or your characters. The light we cast onto the flaws of our story characters is an act of kindness, though sometimes it is severe mercy.

Did Hagar run to the desert to escape, only to be visited by the God of her hated mistress, Sarah? “I see you,” God said. “Eat. Drink,” and, “Go back to your hated mistress. I have a plan for you. Your own son will make a great nation because I have ordained it.” “Me?” Hagar said. “Yes, Hagar, I see your need and your mistreatment. Yes, you,” God said. So, Hagar dragged herself back to Abraham and Sarah. In faith. And, God blessed her walk of faith.

When you draw on your own experience with fear or temptations, or from experiences of those close to you, you will understand that it is not impossible for the antagonist to be redeemed. If you determine to defeat the antagonist when thwarting the antagonist’s purposes, you must feel that grief. It was written that Jesus loved the rich, young ruler who turned away.

Imagine a master chef who creates a gourmet menu for a special entourage. She selects the best cuts of meat, the freshest organic grains to grind, the salad and herbs from her garden, and the cream from her cow. Someone sells her a tropical fruit, unknown to her, promising it will provide the hit. She shreds the fruit and tops the salad with it, only to discover that the fruit is poison.

“But everything I used was of the finest quality,” she argues to the police.

“Everything except that shred of poison you added.”

Use a shock point to hook the reader into how or why the poison was added, and by whom.

Empathetically draw the audience into the truth but do not dilute consequences. Make them meaningful.

A writer can find the image of God originally shaped in the arch-type enemy. This, a starting point for where a character departs, helps the writer make choices for the character. A writer can have the character diverge from her image of origin and from her calling by refusing to be rescued. When you know your bad character’s history and psyche, you will draw her story accurately.”

This excerpt is from Chapter 3, pages 65-67, Welcome to the Shivoo! (Bartnick)

Laura Bartnick
Laura Bartnick is the author of Welcome to the Shivoo! a creative and inspirational guide to entering into the Creator’s great party.