By Laura Bartnick
“Improvisation. That’s why we call creativity art, isn’t it?
I’m an author and also an author coach. Part of what I do is help an author grow personally in order to deepen the author’s storyline or character drawn inside the pages of their manuscript.
Like jazz, the development of a good story means the endings are kept strategically hidden in misunderstandings, physical barriers, or something in the past. I’ve discovered a group, Teaching Tolerance, which has developed a test for discovering anyone’s own historical or cultural bias, implicit bias. You can see here how you might use a character’s natural bias to direct his or her communications or meditation or self-talk.
Proverbs 20:5 alludes that the purposes of a heart run like deep waters, but someone with insight can draw them out. What is your character’s point of view?
Can a writer love the antagonist?A writer should learn to love the enemy of the protagonist. Did Jesus love Judas Iscariot? How could He?
Learning about your antagonist’s unique place of belonging or setting helps you shape his or her believable thoughts, recognizable appearances or dialogue with the accompanying accents and activities that would be true to the character.
From an unlikely source or through an accident that turns out well, insight emerges. Imperfections make your characters relatable. They string you along. When you love them through their story, you emulate God’s love for our imperfect selves born into an imperfect world.
Developing a setting can help hide or reveal your plot or your characters. The light we cast onto the flaws of our story characters is an act of kindness, though sometimes it is severe mercy.
Did Hagar run to the desert to escape, only to be visited by the God of her hated mistress, Sarah? “I see you,” God said. “Eat. Drink,” and, “Go back to your hated mistress. I have a plan for you. Your own son will make a great nation because I have ordained it.” “Me?” Hagar said. “Yes, Hagar, I see your need and your mistreatment. Yes, you,” God said. So, Hagar dragged herself back to Abraham and Sarah. In faith. And, God blessed her walk of faith.
When you draw on your own experience with fear or temptations, or from experiences of those close to you, you will understand that it is not impossible for the antagonist to be redeemed. If you determine to defeat the antagonist when thwarting the antagonist’s purposes, you must feel that grief. It was written that Jesus loved the rich, young ruler who turned away.
Imagine a master chef who creates a gourmet menu for a special entourage. She selects the best cuts of meat, the freshest organic grains to grind, the salad and herbs from her garden, and the cream from her cow. Someone sells her a tropical fruit, unknown to her, promising it will provide the hit. She shreds the fruit and tops the salad with it, only to discover that the fruit is poison.
“But everything I used was of the finest quality,” she argues to the police.
“Everything except that shred of poison you added.”
Use a shock point to hook the reader into how or why the poison was added, and by whom.
Empathetically draw the audience into the truth but do not dilute consequences. Make them meaningful.
A writer can find the image of God originally shaped in the arch-type enemy. This, a starting point for where a character departs, helps the writer make choices for the character. A writer can have the character diverge from her image of origin and from her calling by refusing to be rescued. When you know your bad character’s history and psyche, you will draw her story accurately.”